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The gift

bitter reflection on the implied malice of the true middle class. After the Christmas movie re-enactments linked to Sergeant Hartman and joyful ride of Jimmy Stewart , due homage to the master Monicelli .

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A Beautiful Catastrophe # 16

walked along the way home and the landscape gay tore into a bluish white, dusk. I thought it was nice to be alone at that time, it was nice to feel a little cold on the street, on foot, did not pass anyone, neither a car nor anyone, I only saw the chimney smoking. So quiet, only the snow beneath my feet and whispered something creaking, I thought that John Cage was right when he says that the sounds are music to understand the silence that separates them . Enjoy ..

Andrea

Snowman by Abeautifulcatastrophe on Mixcloud

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Staff sculpture Ponsacco until 6-1

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opening postponed to 23-12 with 18 Case Snow

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"A day like many"

(Egon Schiele)

"I ran a day same, it was morning, yet another week, and the sounds of the kitchen announcing that someone would pass a call from them recently. He turned in his bed, the blankets were warm, rough but friendly, a bit 'light passed by the window shutters and the smell of coffee to get there. He felt that the roommate in the rooting bed and a wave of anger made him grimace. Rising shuddered at the contact with the autumn air cool and sharp, put on a vest to protect from the cold and without washing his face walked into the kitchen for coffee. As he walked down the corridor he heard the voices of the operators in turn, knew immediately that the speaker was Frank and Cecilia, not bad, usually gave generous servings of coffee and cigarettes were not stingy. He prepared to show a smile but the usual questions of everyday snatched it from his lips. That monotony, the repetition of gestures and words each day equal not stand it any more. "

(more..)

story Federica Parri

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"Over time, every mulberry leaf becomes silk"

(Confucius)

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A Beautiful Catastrophe # 14

day was more or less as long as I have come to feed on other work Kreng particular artist, more specifically identified in the Belgian Pepijn Caudron: The Phenomenal Autopsie de Dieu is a very common vinyl (400 copies for the world), a work arrangement in the style of film, a dark ambient filled with longed for life, to contemplate. Fascinating in its entirety, beautiful to look and enjoy listening to, I propose it here though in small areas in this podcast with some selected pieces in chiaroscuro: from baroque melodies and vocal skills in the '50s orchestral music for film, classical flute and plans through their affection for rhythm band from the threshold of the electronics. Good listening and good nostalgic presence.

Andrea

+ Gray Scale by Abeautifulcatastrophe on Mixcloud

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evening invitation - Fri August 6, 2010 hours 20

We'll get to the fun Cohen Brothers film from a typical Tuscan dish, the fish soup, so paying homage to Livorno.

"Cacciucco! Let me have a chat about this speech which perhaps is not intended in Tuscany and the beaches of the Mediterranean, for the reason that 'countries bordering the Adriatic is replaced the voice soup. In Florence, however, the soup is still used for that monestra Easter egg, that is bread in a soup stock, bound with beaten eggs and lemon juice. The confusion of these and similar terms in the province and province in Italy, is one that lacks a little to form a second Babel. Returning to the fish soup, I'll say this, of course, is a dish you are using more than anywhere else in the seaports, where the fish is fresh and the species occurring in need. Each fishmonger is able to show you the qualities that are best suited to a good fish soup, but as good as you want, it's always food. "

(Artusi, from 'Dictionary of Italian cuisine')

"Livorno

Who gave you leave you can not forget,

or rebellious city where I was born,

brings with it the smell of your sea

and south-west, and vulgar screanzato.

I Quattro Mori seem to be waiting

the fish soup from being carried

and Ferdinand, above, is to look

a vessel moored in the Dock.

The tamarisk there, towards the Ardenza,

bend in the wind stunted foliage

while the sky flares and dies on the day. A fisherman
rewinds his line, a vessel that will,

and screams like he did not want to leave you, my Livorno. "

(Victor Gregori)

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"divine music .. music of wine"

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evening invitation - Fri July 9, 2010 hours 20

"Be careful how you think and how you talk,

because prophecy can change in your life. "

(Francis)

"I'm co 'brothers and hoes the garden" is a saying that suggests a Tuscan feel in the world by a wise restraint, serenity, open doors ego so can also take other, perhaps by the flow of things down the weapons of pride.

shreds of meat grilled scores in the company, any confession of Aurelius Augustine see and hear in intimate places, an introductory reading from a work coil and then the film of the Cavani in the garden, under the stars, those which Francesco contemplated with his companions, to go into life with a fiery passion, a man who changed his stripping of the superfluous and the proud.

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In-Group 2010-4 dates free

meetings free and open

meetings build a kind of experiential workshop on the report, through the Gestalt approach will be conducted by Dr. And Dr. Andrea Migliarini. Carlo Bertoncini, psychologists and psychotherapists in training at the school IGF . Here are some dates in the course of events can be sent again.

Sunday, July 25

Sunday, August 1

Sunday, August 22

Sunday, August 29

from 17 , 30 to 20

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Adolescence, dreams and sfondoni

For some years I worked in high schools, I liked seeing their faces in the morning .. a mixture of effort and dedication imminent elsewhere! E 'explosive that age between 12 and 15 years, there's always a game of values \u200b\u200bfor the mass, something that pushes the boys to hang on to tastes transgressive gestures original cliques special bigwigs and directed dream without a goal, without Finally, almost insubstantial parts for their speed. I really like to be among them, alas I could not to be an adult for them, I sometimes get a few years and laugh out loud or romp but it was difficult, the very role of Prof. cut some bridge, there was a very quiet girl, a little sciagattata in the movements, an artist .. spent his time doodling on the pages of comic book drawings of the life of the classroom. She was good, really, the thing that I was crazy and laugh inside was the separation that existed between this and his silent world sfondoni incredible shot when he tried to take it from there. I leave her here a sketch, funny and full of love for the prof.

Andrea

(click image to enlarge)

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Who we are ...

Edy Quaggio: http://www.arcadiateatro.com/translators/5
Cornelia Volk: http://corneliavolk.blogspot.com/
Soraya Pérez: http://sorayayvonne.blogspot.com/

A List Of Unblocked School Games

Dance, Theatre, Music, Poetry, Video, Painting

Soraya Pe rez - dancer and choreographer, teacher

Edy Quaggio - writer, musician and director

Cornelia Volk - au matrix and documentary filmmaker

In transit you try, you explore, you get lost, we meet and communicate a.

were asked if we are a transport company - we might even say yes: the van contains phrases such as brushes, cameras, lights, curtains, sounds, colors and applications.

work together some time and now we have choices even a common identity, a name that comes close to what we are and do. From art to another, from one place to another pass is movement.

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Project 2011

Project Contemporary Triptych

Title: " Orama 47" solo

Concept, choreography and dance : Soraya Pérez
Directed and sound design: Edy Quaggio
Music: Edy Quaggio

This project stems from my interest in the land of origin, which prompted me to investigate the cellular memory, the memory The written history skin , bones and buried in the ground, the tree of fertilized slag.
The body, its implicit drama and dance create the structure of the paintings visual "Orama 47"

Soray to Pérez

" Search "(dance-theater duet)

Choreography and dance: Soraya Pérez
Concept, direction and Sound Design : Edy Quaggio

"Towards Flight" (duet dance)

Concept, choreography and Dance : Soraya Pérez
Director: Edy Quaggio
Music: Edy Quaggio

S eg ttacoli 2009

"Scattered PALP"

Score poetic dance

and Dance Choreography: Soraya Pérez

solo dance
Length: 15 min
Iced Director: Edy Quaggio

Text of presentation:

The poetic word becomes a vehicle of the movement. The vibration of the body in search for newsletters and integrates plasma space and full of makes sense. The memory of the spoken text is actualized in gesture, leader in the voice of a live pr free continuous. The dance makes image, poetry visible, palpable thrill.

Edy Quaggio

" Kaleidoscope

Choreography and Dance: Soraya Pérez

solo dance

Text, Music, Direction and Sound Design: Edy Quaggio

Artistic collaboration: Cornelia Volk

rock song arrangement and execution : Robert Clauser

Movie length : 15 min

Text of presentation:

I mages, sounds and reflections of consciousness to unravel a white screen in an attempt to reconstruct a sense, the senses. The shadow look after herself being born and reborn endless falls. The movement is real and dense, but suspended in a dream impalpable interwoven voices, noises, agreements and notes i. The poetic narrative is fragmented by the kaleidoscope of the mind that trembles and trembles in the same words that it generates.

" El Cuarto" (the room) - short version 2009

Solo Dance Theatre

and with: Soraya Pérez
Solo Dance Theatre

New version of 15 min -2009
Music: Various kind
Director: Edy Quaggio

Text of presentation:

The woman drunk love enters the room of darkness populated

There is no tomorrow. The woman is sitting on the chair, mother, sister, diva-queen trap

sweet and inviting. The conflict of the soul with the body aspires to perfection scoring a path of change. The seal is love. The identity of the female and male talk to each other through a conflict of forces which give life to a character / archetype in its early stages of change and constant mobile ta.

Soraya Pérez

"Fluctuations" (production 2008)

Concept, choreography and dance : Soraya Pérez
Performance and live music: Regula Wagner_Idea Battery
Music by: Edy Quaggio, Regula and David Wagner Directed Fussi
and lights: Edy Quaggio

presentation text:

Blank, Development Zone of stages of change: to be a constantly evolving King, fragments of stories, passages through invisible doors into a space-time dream, open up parallel worlds. The body in its molecular composition and the model phrased sidereal movements, dynamics and magnetic force which are the wave of uniting r know in constant transformation. The cosmic history is written on the skin. The development of a circular and repetitive ecstatic dance manifests the essence and makes it tangible and vibrant.

Soraya Pérez

Koan of flux: "If you do not see anybody for three days, when rivedret can not be sure that it is the same person ...."

Kates Playgroundechter Name

subheadings Bell



click on the poster to enlarge





Reading Library Rome show Vallicelliana
audio editing video editing Gabriele Petrella


thank Bruno Conti curator of the correspondence A Journey Called Love, Letters 1916-1918, published by Feltrinelli present during a lecture-show in Rome for appreciating rehabilitation.
E Gabriel Millet Chaco Argentine biographer and scholar of Dino Campana. * (1)


quote here excerpts of the memoirs of Frederick Ravagli , man of his time with goliards of Campana in his youth transition to Bologna, where the first verses of Dino find refuge in the journal The Papyrus of Ravagli and companions. Fate has it that the love for this poet I did meet one of his daughters, Victoria Ravagli woman rare soul and beauty as rare and very much alive, thanks to her reading / performance takes on a tone and a different color. As if a thread bind
crossed our tribute to a great poet. The live wire of poetry and life of Bell.

Dale Zaccaria


Sub in Bell


I come to look for, Bell, it 'my memories.
And if I turn to you here, as before, as if you were still alive,
is because the memory needs to be in a special state of grace, needs a strong emotional stimulus to dispel the fog thickened over the years away a turbulent succession of events.
Listen, then. And do not blame me if after my return from Africa I did not want to see you.
M'avevan told you that he was alive only body and your spirit was shipwrecked, hopeless, dreary darkness of a stormy night tragic.
I have not had the courage to follow closely your martyrdom, as I was powerless to soccorerrerti. I would not watch a single moment epilogue your terrible experience: not to meditate too long in an absurd destiny that nailed shelter alienated a man like you, that I had room for land and ocean, hoping to boundless horizons.
We were left in Bologna, where they already began to take shape, clear signs, the success of your book: of those songs that we Orphic goliards we held a little on the sheets from our baptism scapigliatura, including songs and rhymes friendly of love.
And we should not see each other anymore.
Well, thirty years 'after your official entry into the life of the "bohemian" university, I wanted to collect some' memories. I came back in mind and the minds of our time away: at that time of my reckless youth and tumultuous, when you, a veteran who knows what mysterious rugged adventures, you brought with us, with your fee as a beggar, the spirit of your royal ocean views.
No one knew, then, to all those writers who then decreed t'han triumph. You were an unknown: it was a strange man and dreamy, a restless wanderer came to a stop along the road: you were an eccentric student of chemistry laboratory had chosen the world's roads. Certainly would not have ended your trip with an analysis of staff, you, accustomed to the transitions and vertiginous lyrical synthesis of vibrating cosmic fantasies.
But you stopped it with us.
(...) So you lived a little of our lives. We were Notes to our illusions, our worries, our antics. You were witness of a benevolent and unconcerned with sympathetic sequala rascality.
the tables in front of our instant meetings, browse, with superb aplomb, poets and philosophers, public figures and walkers. The criticism was often biting and biting. And you adattasti often to listen to arguments and invective, acts of faith and eulogies, the indulgent ramblings and cries.
And so, at night, for starde narrow, brown under the arches and severe, pei winding streets and conducive to tighten the secret of our bizarre excesses. And you still with us docile meek quiet.
you went "with a little singing with a lot of wine." And we were singing for you. Sometimes lingered suddenly stop for a while, we followed at a distance, to be alone. Who knows? Maybe you went meditating, in your silence, textures, art and poetry. Under the arcades of the architectural ocheggianti venerable age, within the halls of hospitality sensual numbed wits fat ones, in games of shadow and light, plastic living creatures and things, you certainly saw that escaped our attention: you listened agreements, dissonances sound alerts that we could not reach us. Many pages of 'Your songs are born from this wandering Orphic

(...) But you were a rebel to the laws of a quiet life, to the customs of the people bucket, the wise counsel of wise people. You were homeless because followed a shocking your dream of infinity. You were a stateless person, because the poetry of which he was desperately in quest of a national world: you, for the world to bring the "scale of the working poor Italian ... do not know." Your legend is here. And some saran these simple memories of our time away to shed some light on the desperate drama of your adventure.
Legend is mystery and poetry and the mystery of your life was poetry.

Federico Ravagli , Dino Campana and university boys of his time (1911 -1914) Autographs and documents. Confessions and memories - Bologna: Clueb 2002.
* (1) Bruno Conti
Gabriel Chaco Millet In the dedication of Dino Campana to Sibilla copy of the Orphic chants Bell wrote in his own hand four lyrics (...) also appear throughout the text corrections and cessature. For a critical analysis of this copy dedicated all'Aleramo cf. D. Bell, a Souvenir d'pendu, edited by G. Cacho Millet, Oxford University Italian, Naples 1985, p. 193. Facsimile reproduction of the copy is in G. Cacho Millet, Dino Campana outlaws, Novecento, Palermo 1985, Appendix iconography, from n.39 to n.49. See Sibilla Dino Campana A Journey Called Love Letters 1916 -1918 by Bruno Conti, Feltrinelli 2002 (eighth edition)

Whats The Need Of Pillars

A Beautiful Catastrophe # 1

The music and sounds in their most diverse influences have always accompanied the living of the garden. I invite you to listen to my first podcast mix for the project "A Beautiful Catastrophe", a migration from Persia to Africa through sonic psychedelia and funk until you get to contemporary electronic dub echoes. Click the link below and enjoy!

Luca

Transmission # 1 by Abeautifulcatastrophe on Mixcloud

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Reading Entertainment


step short of the beauty of Eugenio Alfano, oil on canvas



Reading and Entertainment

A trip touring small theaters in various places and reading the correspondence, the Letters between Dino Campana and Sibilla through years that were written between 1916 and 1918.
Where were the sad background of the horrors of World War I love story transcends all times with the force of passion and poetry.
Research posthumous music with arrangements of songs 20 years older '30' 40 'fit in jazz.
Footage. Sounds like crackling of gramophones.
The love story between the two writers re-opened in a modern reading through the mingling of art that draws on the timeless poetry of today.



Aleramo in Campana
Milan May 30, 1917

I have dreamed of - you were lying next to me-I woke up you were saying, "forgive me".
was you, Dino - I just reviewed, heard.
So does that mean you know that I loved you last?
You know how horrible it was your blindness? Those that closed your eyes, and were made to the sun. For me and you.
Oh Dino, Dino, and now it's too late. I can not.
that I am forever the night he departed from Florence, cry like that night, that night is as if I had four years, missed tears in the street of a little girl beaten and lost.
And no one touched me.
I was pure, Dino - why did you want to deny it, and you knew to lie?
are pure - and I feel like dying - and it's too late, love, poor me, my, I have loved one. I forgive you. Remember.
I had faith in your soul. Save it - as if we were to meet again. In the dream, I'll know, maybe. My! I forgive you. Live

Sibilla

Letter from a sheet, two-sided, written in pencil.

Campana Aleramo
Florence July 30, 1917

Lady
to see you again I ask you to speak and to know something of my own destiny.
Meanwhile I ask your forgiveness and humility.

Dino

postcard addressed to Hotel Manin, Milan




step short of beauty

step short of beauty is the title of the homage of re-reading of the correspondence between Dino Campana and Sibilla.

It comes from one of my poems published in the Anthology Pro / Text (Fara Editore) and before "was" one of the stories (written and then put aside) of seven cards to the Queen. For months I asked what could prosaically and poetically express the best step short of beauty , then one day in my hands I ricapitarono excerpts of letters between Bell el'Aleramo (read months prior to a night) and I realized that I was looking for I had it already. The intense love and tormented between the two writers, still mail letters, escapes, long silences and furtive meetings are step short of beauty. That short passage that illuminates that opened a gash on the poetic scenery of the devastation of World War one hand, and on the literary resentful and envious, profiteer and the surrounding Aleramo (Matacotta) * that Campana (Soft and Papini) *

A story of love and poetry of our early twentieth-century literary, stray and isolated in the spirit Campanian, protector and desperate words in the run in aid dell'Aleramo. A story in the same Aleramo tried to speak through writing a film script then remained locked in the drawer and then forgotten by other unions other loves. Only at the end, when Sibyl was already well advanced with age and lived in Rome in Via Margutta, Nicholas Gallo convinced the publisher to print the letters of that journey

"called love."

reading performance is a tribute to the two writers.
poetry that brought them together and makes them live up more to us today.

Dale Zaccaria

Notes

letter to Franco Sibilla Matacotta dated October 30, 1959 evening and lodged at Archives Aleramo.

"Franco, who gave you permission to post my portraits and unpublished letter of Dino? That letter was clearly not among the many papers you've stolen from my closet before leaving the attic. And how come you, man of letters, to interpret the last sentence of this letter as a will * and is just the hiccups of a poet. And you just, you, you accuse me of violation! I gave consent, last year, the publication of the dear noble Nicholas Gallo after two years of insistence, but I did precede the note (which few have taken over, or even what you think), in which I felt they do not want in any way participate in any gain for publication. While you now have a certain income derived from this article that the poor do not honor Franco! E 'own destiny, even after a decade, you should give me proof of your moral insensitivity. And once again, towards the end of my hard life, I must see the enormity of my mistake about you (...)

* Bell in the famous letter he wrote "my Letters are made to be burned "

* Franco Matacotta in the magazine talks about the success of the correspondence, starting from this unpublished letter (all'Aleramo stolen) in a controversy, accusing the Aleramo to contravene the will and testament of Campana. The response was immediate dell'Aleramo the Director of the Magazine and Journal notes "I wonder how many other cards (...) before leaving for the last time the attic."

** The longest of the day is the partial version of the Orphic Songs entrusted to Soft and Papini. Version disappeared since 1913 Soft months later admits to having lost manuscript rediscovered about 60 years later in his home during a move.

The chart used is that published by Feltrinelli and edited by Bruno Conti and more in-depth bibliographical research at the Foundation Gramsci of Rome which Sibilla (Rina Faccio) has left his human head and poetry (including Letters)

Comet and poet of the night

step short of beauty

How close the air chest
first firmament
in the heart of beauty
rises and falls beauty
when the noise becomes world
and vulgarity is deceived.

(Dale Zaccaria, Epilogue of a poem in civil, Pro / Text Fara Editore)

The night sky , which draws its bell, the poet of the night, you traversed by a comet , epressione the Supreme step short of beauty the very brief overview of the most beautiful star, the biggest night of the blue!
As background to the vision of the symbols of the comet noise and vulgarity that you deception, towers, antennas, industries, buildings (power?) And even churches, that is also a metaphor for destruction and noise scenario, the first symptoms of the new mass society and the hostile climate literature, passing through years of Campana and dell'Aleramo. The
window has two functions: to directly call their isolation around the figure of Campana also a poet and man, but at the same time to invite the viewer to open the painting and open their windows to Beauty, before the comet fades away altogether.


Eugenio Alfano




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"But to really get out of jail"

"But to really get out of jail
need to know the wood of the door,
the League of bars,
determine the exact shade of color? A
become so great experts, there is a risk they always
diseases. If you really want to get out of jail
, quit immediately, perhaps with
voice, becomes a song. "

(Patrizia Cavalli, from 'The "I own my singular')

Yes, to become so large it threatens to become attached to the experts 'knowledge', to 'know' and therefore you may lose that core of energy that we said and still say dim "I want to get out of jail." Often, the prison becomes the home and without even greater awareness of this we are delighted to furnish it with such grace and passion. The directivity of the words of Patricia Cavalli said: "If you want to get out of jail, get out immediately, perhaps with the voice, it becomes a song." Like, if you want to feel good becomes the one who wants to feel good, it becomes who you are and you ask yourself at this time, become what you want to become, becomes the rage, it becomes the joy becomes shame, is the body with an immeasurable wisdom that knows what you now need express ..! if its the action taken or the passage does not stand with the environmental report, express, it becomes a movement, a position, a cooking recipe, a dance, a phrase, a look, a song .. and sing it to whomever you want Do not forget you. Play! those words suggest. And it is fascinating to see how this poem expresses the core truth ammutolente of everything that happens in Gestalt, for example in a group where so many people crowded together and maybe barefoot on a carpet and pillows, put a little bit here and a little bit as they want , help and go to cry, sing, to cry, to create! .. Like in a space where the limit is still determined by the person himself and his others live: freedom, responsibility, and expressivity. Want to know why you so? No, diventalo first of all, perhaps amplificalo .. how are you? Per-who are you? You feel to be here right now? Look around, you're so in the midst of others, you can do? And the way to a pinch of ever-new knowledge and motion detectors.

With Horses poet, thanks to Samuel for me (so he likes to be called) and an afternoon in late August, I filled the soul with the words of his poems, and I was looking at the case andandomene in its train a Gestalt workshop in Rome! Samuel had the naughty step to getting involved in chat by InterCity compartment. Today the transport of horses my books almost everywhere, every time I read The Guardian with a feather burning in the chest and once in the bowels .. reminds me of love, what we pursue and chase like a predator that invades and with whom I want to walk, which has the grace of a fairy and the wisdom of Nature, the color of the first violets of spring, the space of becoming , the irreverence of a Primula .. And this applies to me and to the other, I once again to the Gestalt, that self with which to feast.

Andrea

Patrizia Cavalli lives in Rome, was born in Todi in 1947

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Marina di Massa 7-8-9 in May 2010

open to all

residential experiential workshop dedicated to the relationship through group dynamics. Will be held in Marina di Massa in the structure House FACI colony close to the sea with the Apuan Alps behind, will start Friday at 9:30, the time limit set for Sunday at 13.30.

"Abraham Maslow to 59 years has made his first T-group and said, as human psychology, to have had this experience other revelations, even though he already had a long history of psychoanalysis "

(Joseph Luft)

"The awareness training is perhaps the most significant social invention of the century. His request for the application passes all credibility. And 'one of the social phenomena of the United States quickly developed. It has permeated the industry, is entering the school , in families, professions and in many other fields "

(Carl Rogers)

" The T-group has created hundreds of variations in which this technique was radically transformed without losing its essential structure. No technique has been shown so far so protean "

(Guido Countess)

The T-group Mass will be conducted by psychologists trained with prof. Morocco at the University of Florence, scholars in psychotherapy ' Gestalt Institute of Florence GPQuattrini School of Psychotherapy and Comparative founded by PARook.

you can subscribe by the end of April

info and contacts DOWNLOADING PDF